Category: camera equipment reviews

Category for all reviews of camera equipment like flashes, diffusers, cases, modifiers, straps bags, battery chargers.

  • Godox TT350F: HSS and TTL for Fuji cameras

    Godox TT350F: HSS and TTL for Fuji cameras

    Godox TT350F: HSS and TTL for Fuji cameras

    Introduction

    The one thing missing on many Fuji photographers’ wish list was a reliable flash system that includes HSS (high-speed sync) and TTL (through the lens metering) functionality. Nissin and Metz finally introduced HSS compatibility in 2017, but at least for Nissin, you’ll have to send your older flashguns in for a firmware upgrade at additional cost. Their most powerful flash is also a60 GN, usable for weddings and events, but hardly a sun stopper. For larger flash systems, other photographers experimented with the Cactus V6 II, with mixed results and no TTL metering until last month.

    Godox TT350F product image

    Now Chinese flash manufacturer Godox is throwing their hat in the ring with the arrival of the Godox TT350F pocket flash and X1T-F controller. Both devices can be used as 2.4 GHz controllers for the entire relatively inexpensive Godox range including the popular AD200, AD600 and AD360 II. Godox has many resellers around the world and you’ll find it sold as Flashpoint (by Adorama) in the US, Cheetahstand in the UK and Neewer in many parts of Europe. These are all basically rebranded Godox devices, identical in functionality and yes it’s possible to mix and match all these brands in flash groups with one controller. They even run on the same firmware, I know because I upgraded a Neewer NW860 this week to the last Godox Ving V860IIS firmware this week. A firmware update can be easily done at home by the way, since every Godox product has a USB interface. Scroll down to the firmware update section if you need help upgrading your device.

    Since the first trigger available is the Godox TT350F pocket flash, I’ll be having a look at using this little flash as a trigger for the Godox range in this review. Please note I’ve included some “around the house” sample images to illustrate the off-camera TTL capabilities with this flash, I’ll try a “pro” shoot once we see a firmware update. Read on to find out why…

    Compatible Fuji cameras

    100% compatible, including HSS, TTL and rear curtain sync is the Fuji X-Pro 2, X-T20, X-T2, X-T1(!) and yes the GFX too. You’ll still be able to use the TT350F or Zoom Mini R2 TTL as a flash with the X-Pro1, X-T10, X-E1 and X-A3 with TTL metering but no HSS unfortunately. This is also true if you want to use it as a controller, TTL is available, but no high-speed sync.

    Godox TT350F product image
    The Fuji X-Pro 2 is fully compatible with the Godox TT350f including TTL, HSS and rear curtain sync as a stand-alone flash, slave or commander.

    If you own an X100F or X100T, you can use all the flash functionality (HSS, TTL and rear curtain sync), but as a master unit, HSS is not available.

    Setting the FLASHPOINT Zoom Mini R2 TTL (Godox TT350F) up as a Master unit

    This Flash can work in TTL/M/Multi flash modes when set as a master unit. Any settings for the slave units on the Master Flash in TTL mode will be automatically sent to the slave units. So the only thing you need to do is to setup the master unit for each slave group and all settings will be transferred to the different groups. You can set up three slave groups for TTL shooting.

    Godox TT350F product image

    To set the TT350F as master and an off-camera flash as slave unit:

    1. you’ll need to press the SYNC button for 2 seconds. You’ll notice that the antenna symbol on the lower left of the screen will start blinking. Now turn the select dial until a capital “M” is displayed next to the antenna.
    2. The “M” stands for master, so now you’ve set your flash as a master controller for other flashes.
    3. Now press the SLAVE button to choose either A/B/C or M groups and press mode to select TTL or manual mode (or turn this group OFF). Tip: set it to TTL to start with, it’s the easiest way to use the system.
    4. If you want to go to “Multi mode”, press the MODE button for 2 seconds
    5. On you slave unit (the off-camera flash) make sure you select the same group and channel.

    Tip: Make sure that you are running the latest firmware on both camera and flash!

    Godox/Flashpoint firmware upgrade procedure

    Windows

    If you have a PC running on windows, updating your firmware to the latest version (which includes Fuji support) is a painless procedure. Godox/Flashpoint has a firmware update utility called G1 that you’ll need to download from their homepage and install on your PC. For the newly released AD200, there is a newer firmware updater called G2 that works in the same way.

    Godox G1 firmware

    Before connecting your Flash to the computer, remove the battery and press the ON/OFF button as well as the flash preview button to dissipate any residual power on the flash motherboard. You’ll need a good quality USB cable to connect your PC to the flash. If you can’t connect to the flash, try a few other cables, the USB cable is the culprit most of the time.

    You’ll need a good quality USB cable to connect your PC to the flash. If you can’t connect to the flash, try a few other cables, the USB cable is the culprit most of the time.

    Once connected, it’s simply a matter of loading the firmware update patch inside the G1 (or G2) app and pressing the ‘Connect’ button. You’ll be guided through the update procedure that takes a couple of minutes.

    Godox G1 firmware OSX Mac

    Mac/OS X

    If you’re an Apple user, you’ll need a program called Parallels Desktop and a copy of Windows to use the Godox G1/G2 updater. No there is no OSX version available, nor will there be any in the future. I’ve had no problem installing the G1/G2 software on a developers copy of Windows 7. These developers copies are free for a year, so it’s your best bet unless you want to buy a copy of Windows. The other option is tracking down a friend with a PC and doing the update there.

    Godox TT350F overview

    The Godox TT350F for Fujifilm cameras has a GN of 36. The body looks like it’s all plastic like most flashes out there, but it does feature a metal flash foot. It has a zooming head for even coverage from 24-105mm with automatic zoom or manual control and a stable color at 5600k over the entire power range. It runs on 2 2500 mAh AAA batteries, good for around 210 full power flashes with a recycle time of .1-2.2. seconds. The head can tilt and swivel The LCD is backlit and quite easy to navigate even in the dark. The flash also has a USB port for firmware updates through the Godox G1 Windows firmware update app.

    Godox TT350F, Fujifilm, HSS, TTL
    overpowering the sun with Fuji X-Pro2: off-camera flash, HSS with AD200, 1/6400 sec

    In terms of functionality, this little flash offers both TTL metering (flash output is metered through the lens for optimal exposure) and High-Speed Sync or HSS (the ability to sync with shutter speeds up to 1/8000 second). It’s fully compatible with All On Camera TTL controls including Exposure Bias, Second curtain sync, EXIF recording and FlashValue Lock. These functions can all be selected in-body though it’s worth noting that once you get into flash groups and Wireless Master/Slave options, you’ll need to adjust this on the flash (or X1T-f when it is released).

    That’s right, the Godox TT350F also has a 2.4 GHz sender/receiver so it can be used to control other Godox flashes equipped with the Godox 2.4GHz X Radio System or it can also be used as a slave. The operational range is 30m and you have access to 3 remote groups with 16 channels each for more complex flash setups. If you’re one of those photographers who is wondering why you’d need a flash like this to have the ability to both be a sender and receiver, the answer is simple. Wedding and event photographers like the flexibility of being able to use it as a walk-around flash as well as switching to a controller of off-camera flashes when necessary say the opening dance at a wedding or a speech at an event.

    A Guide Number of 36 is of course only really usable as a fill-in flash, and with HSS you get an even lower output,  so if you really want to get into what High-Speed Sync can do for you, you’ll mostly be using it as a controller for other Godox flashes.

    Godox TT350F user report

    I enjoy the dual functionality of a flash like this where you can easily switch it to a controller of external flashes. Since I’m most interested in using off-camera flashes and HSS with Fuji cameras for my work, I’ve mainly been focussed on getting this to work since receiving the flash.  I’ve been using the Godox AD600, AD200, and AD360 II for some time now on my Sony cameras and it’s refreshing to now be able to also use them on the Fuji X-PRO2 and X-T2. Setup was relatively easy, although it took some time to make the connection between the camera body and flash as a controller. After going through the Master setup procedure a second time, suddenly it ‘shocked’ into the wireless connection and everything worked.

    Godox TT350F, Fujifilm, HSS, TTL
    HSS with AD200, 1/4000 sec Godox TT350F controller

    Setup was relatively easy, although it took some time to make the connection between the camera body and flash as a controller. After going through the Master setup procedure a second time, suddenly it ‘shocked’ into the wireless connection and everything worked.

    There are some problems though. This is Godox/Flashpoint’s first venture into Fuji territory and everything is not running smoothly yet. If you’ve never tried the Godox 2.4GHz X Radio System with other camera systems, you might be fooled into thinking that the wireless connection is not always that stable. But normally it is rock solid, triggering off-camera flashes every single time.

    This is not yet the case with Fuji, it often misses a trigger. And at first, you might think that the flashes have long recycle times, but this is not the case with my Sony system either. So what is going on here? I would guess that we need a new firmware upgrade before the system will be suited for professional use.

    Conclusion

    Godox/Flashpoint support for Fujifilm cameras opens up a vast and relatively inexpensive range of flashes for the Fuji APS-C system and medium format GFX. The first product available is the Godox TT350f that can be used as a hot shoe flash as well as a controller for off-camera flashguns like the AD200, AD600 and AD360 II. Through the lens metering (TTL) is fully supported as well as rear curtain sync and HSS (high-speed sync) up to 1/8000 second. This opens up a plethora of creative opportunities for Fuji photographers and I’m sure many of you have been waiting for this. There are a few problems with the first firmware release though. Through the lens metering (TTL) is fully supported as well as rear curtain sync and HSS (high-speed sync) up to 1/8000 second. This opens up a plethora of creative opportunities for Fuji photographers and I’m sure many of you have been waiting for this.

    Godox TT350F, Fujifilm, HSS, TTL
    HSS with AD200, 1/6400 sec

    There are a few problems with the first firmware release though. The connection between the TT350f set as a controller and off-camera flashes isn’t always that reliable, and the flash does not discharge every time. TTL metering is at the moment not always reliable and tends to overexpose images. But I’m sure we’ll see a new firmware update after this summer when the Godox/Flashpoint system will become truly usable for professional flash photography. For now, it’s a cheap investment if you already own some Godox products and want to get a head start in learning how to use it. If you’re not in the latter category, I would wait until that firmware update shows up.

     

  • Saal Digital Alu-Dibond Butlerfinish print review

    Saal Digital Alu-Dibond Butlerfinish print review

    Saal Digital Alu-Dibond Butlerfinish print review

    Introduction

    This is my second Saal Digital printing service review after the photo book review. Quick recap: Saal Digital is a European photo printing service. They offer high-quality print services for photo books, wall decors, greeting cards, calendars, booklets and fine art prints. Saal Digital have an easy payment system that includes Payal. As you probably know, most printing services will include their own logo somewhere on the print, but you don’t have to worry about your clients tracking your suppliers with this company.

    Saal Digital Alu-Dibond Butlerfinish print revie

    We’ll be having a look at the Saal Digital Alu-Dibond Butlerfinish print service in this post.

    How Saal Digital works

    Uploading your image for print is quite straightforward with Saal Digital. They have a software design suite for both Mac and Windows with the Alu-Dibond print template and you can just drag and drop photos onto the application and align it to the layout preset. Then, it’s a simple matter of adding it to your shopping cart, paying with either Paypal or Credit card and send it through your internet connection to their production facility through the software.

    Alu-Dibond Butlerfinish print

    The Alu-Dibond Butlerfinish print is fused with a 3mm thick aluminum composite panel and finished with a brushed aluminum surface. There is an ICC profile available that you can use in Photoshop for softproofing. The printing technique used is direct UV printing with 6 colors instead of 4, including light inks, and sixfold UV cure printing. This technique leads to a quite impressive saturation and colourfulness. With the direct UV printing, it is especially sun-, fade- and water-resistant, so that it can also be placed in damp environments, such as in the kitchen or bathroom.

    Saal Digital provides now more individuality for wall decors. In addition to the wide selection of standard sizes, you can now have custom-sized Butlerfinish prints, available from 10 x 15 to 110 x 200.

    Saal Digital Alu-Dibond Butlerfinish print revie

    They offer three different mounting solutions for wall decors:

    • Aluminum Subframe: The aluminum subframe is pre-fixed on the back of the wall decor. With about 1 cm space to the wall, it seems that the wall decoration is floating in the air.
    • Standard mounting: Our standard mounting can be easily attached to the back of the wall decorations.
    • Standoffs: The corresponding pilot holes are already included so that the screws are only attached to the picture by you.

    Conclusion

    The Saal Digital Alu-Dibond Butlerfinish is especially suited for B/W photographs, so I went with an image that is predominantly black and white. The advantage of the Butler Finish is that it shines through the print, bring about a bright and metallic effect. Thanks to the ICC profile, the colors are perfect and as expected.  It should be noted that a brushed aluminum surface does change the appearance of your image somewhat, and if you want a truer to what you see on your screen print, I would go with the normal Alu Dibond print.

    Saal Digital Alu-Dibond Butlerfinish print revie

    All in all, I highly recommend the Saal Digital Alu-Dibond Butlerfinish print if you want one to display one of your images around the house as a piece of fine art.

     

     

     

     

  • Macphun Luminar review

    Macphun Luminar review

    Introduction

    Getting the best performance out of a modern camera often involves at least some advanced processing. Shooting RAW and processing these files on your powerful Mac or PC does have many advantages over letting your camera’s processor make important decisions for you. Photo editors like Lightroom and Capture One are most known, but if you look hard enough, you can find a hidden gem here and there that actually rivals or even gets better results in some ways.

    In comes Macphun Luminar, an advanced photo editor that I would describe as being somewhere between Lightroom and Photoshop in terms of functionality. I’ll be having a look at the features and functionality of this image editing software in this Luminar review.

    Macphun Luminar RAW support
    Louvre, original RAW
    Macphun Luminar
    Louvre, processed in Luminar

    Feature list

    Let’s have a brief look at what I see as the most important features of Macphun Luminar:

    • Adaptive user interface: change the interface to show only what you find important.
    • Nondestructive editing workflow: your image is not altered.
    • Support for layers and masking: it’s like using the best editing features from Lightroom and Photoshop together.
    • A vast array of easy to understand filters: from basic functionality like exposure/contrast, highlight/shadow adjustment, and Black/White point all the way to fog and golden hour filters.
    • Object removal: easily remove unwanted objects in your image.
    • Support for Mac touch bar.
    • RAW support: Drag and drop the contents of your SD card on your computer and start editing immediately.
    • Can be used as a stand-alone editor or as a plug-in for Lightroom or Photoshop.
    • Batch Processing: create your own preset and quickly process a batch of images.
    Macphun Luminar
    Lafayette galleries Paris interior original
    Macphun Luminar
    Lafayette galleries Paris interior split toning preset

    Interface

    Luminar is available either as a standalone editor or as a plug-in for Lightroom or Photoshop. Either way, once engaged, the editor looks identical and has the same functionality.

    Luminar interface full

    Once Luminar opens up, you’ll see a preview of your image covering most of your screen. The interface is divided into roughly five sections: your image preview, top bar, presets bar, histogram/layers/filters section, and a section with eight icons on the far right.

    Luminar interface settings

    The top bar allows you to:

    • Cancel/apply: process your image and save to disk or return to photoshop/Lightroom.
    • Zoom in or out (+ -) of your image for a better view of your processing.
    • Switch between before/after processing or split your image in a before/after the preview.
    • For a simpler interface, you can remove specific modules from your interface.

    Luminar preset pannel

    Below your selected image, you’ll find a carousel with presets previews. Macphun has a few bundles of presets included for specific types of images like street photography, landscape, people, etc. The round icon on the far right allows you to switch preset bundles. I believe you can purchase more if you want to.

    Luminar histogram, layers and filters pannel

    On the right-hand side, you’ll notice a histogram with below that a Layers panel and filter panel.

    • Layer 0 is your opened image. You can, for example, add other images for double exposure effects or duplicate your current image if you want to use different processing techniques and blend them back together.
    • The Filters panel allows you to add different kinds of filter to a specific layer.

    Luminar interface icons

    Next to the layers and filters, you’ll notice eight selectable icons. These icons open up different features of Luminar like masking, cropping, erasing, cloning and noise reduction.

    Macphun apparently has taken a lot of time to find a more logical workflow instead of what you’d find in other editors and just copying that. It does take some time to get used to this layout, and the concept of layers, filters and engaging more advanced functionality through the icons. But it shows that this company is serious about developing a competitive alternative to the aforementioned software.

    Macphun Luminar
    La Défence, Paris original RAW
    Macphun Luminar
    La Défence adjusted in Luminar

    Working with Layers and Masks in Luminar

    Working with Layers and Masks, it’s a concept that confuses many beginning photographers. Adding layers superimposes one image over another. Think of it like stacking analog photo negatives on top of each other. The end result will be a combination of these two (or more) images. Thanks to digital processing, it is possible to blend these two images in different ways.

    This technique has different applications. One of them is the well-known double exposure, where you blend two different images together. The other is processing an identical image in different ways and blending them back together.

    Luminar masking example
    Quite easy to draw in a mask with Luminar

    Using masks is like cutting out a section of an image (like the sky for instance) and processing that differently than the rest of the image. This processed selection can then again be blended together with the original image. Luminar can also automatically generate a basic luminosity mask, that splits the highlights and shadows in two basically. This is the easiest way to get a precise mask for further processing.

    Luminar compared to Photoshop and Lightroom

    At first glance, Luminar might look similar to many other plug-ins for Photoshop like Google Nik or Color Efex. You’ll immediately notice the preset bar and start experimenting with different generic presets. But once you realize the full power of this software suite, you’ll see that you can get results much faster than using the Lightroom/Photoshop combination. Do you need to erase a distraction from your image? Apply noise reduction? Add a fog or golden hour effect? Forgot your polarising filter? No problem, it’s all within easy reach. And this all can be done with easy to implement masks or layers.

    Macphun Luminar
    original seascape
    Macphun Luminar seascape
    Added some mist here with a masking Brush

    Possible disadvantages

    You’ll still need Lightroom as a catalog and management tool, as Luminar does not offer this functionality for the moment. And it’s also only available for Mac at the moment, although a PC version is in the works.

    Conclusion

    Luminar is a very intuitive photo editor and can certainly be a good addition to your workflow. With the beautiful interface, the large amounts of filters and much of the Photoshop functionality (especially layers and masks and object removal), you could consider this as a real alternative to an expensive Creative Cloud subscription. The only thing that would be lacking is the catalog and management tools in Lightroom.

    Macphun Luminar examples
    Shanghai skyscrapers original RAW
    Macphun Luminar review
    Shanghai skyscrapers processed in Luminar with color cast removal

    If you’re a Lightroom user and are looking for a Photoshop alternative that is easier (and more fun) to use, try Luminar. It will take some time to get to know the interface and all the power that Luminar has under the hood, but I would definitely recommend this nice piece of software as an advanced plug-in for LR or PS.

    Price

    Luminar 3 with libraries is available from December 18th 2018. You can order now  at a price of $59 for new users or upgrade from the 2017 version for $49. If you use the promo code WIMARYSPHOTOGRAPHY you’ll get an additional $10 dollar discount

    Americana preset bundle for Luminar

    Besides the special freebees package from Skylum (SmugMug portfolio pla sky overlays and voucher codes) I’m giving away my brand new preset collection called ‘Americana Black and White’ featuring ten custom made classic black and white presets for Luminar. All you have to do is send me a screenshot of your invoice with my coupon code to wimarys(at)gmail.com.

    Americana preset bundle for Luminar

  • Photolemur 2 review: save your money

    Photolemur 2 review: save your money

    Photolemur 2.0 review

    Update, there is a new version out which is superior to earlier versions and definitely worth the money. You can find my updated Photolemur 3 review here.

    Introduction

    Photolemur is a very simple photo editing software application that should enhance just about any image you run through it. It’s made by a UK-based startup comprising an international team of photographers, developers, and entrepreneurs. At the core of the “in the cloud” software is a self-learning algorithm that analyses the components of your photos (faces, colors, and objects) and makes adjustments accordingly.

    Photolemur 2 review

    I tried the Photolemur version one release last year and was not impressed at all. But since they have now completely overhauled the software and have made substantial changes to the algorithm, it decided to give it a second try. Photolemur 2 now also supports RAW files, so this gave me hope that Photolemur had upped the game a notch and that it might be a useful program to quickly edit photos, at least as a starting point.

    Photolemur 2 review

    How Photolemur 2 works

    Photolemur is available as a 150MB download that you install just like any other application on your mac or PC. It, however, does not work without an internet connection and you’ll need an online account to actually be able to process any photos. I’m not sure what information actually is uploaded too the cloud and what is processed on your own PC, but the Photolemur algorithm needs to constantly learn in order to improve, so there is definitely a transfer of data to their server with every image you process.

    photo editing software

    The photo editing software interface is very basic, no sliders or settings are available. When you drag & drop a photo onto the app, you see a computation screen of what the algorithm is doing and after a few seconds, your image is processed. You can drag a slider across the screen to see what your image looks like before and after and you can then export your image to your hard disk, email it to somebody, or post directly to Facebook and Twitter. I’m happy to see that besides a Jpeg option, it’s also possible to save as TIFF for further editing in other photo editing software.

     

    Photolemur 2 review

    It’s also possible to batch process images and saving them to the aforementioned options. This could, in theory, be a handy tool when you’ve just come home from holidays and want to quickly process and improve all your shots.

    Photolemur 2 in use

    As you might have noticed, I am not averse to this kind of technology at all. It could be very handy for the amateur photographer to be able to quickly optimize an SD card full of images. And photo editing software like Macphuns‘ Luminar or Athentechs’ Perfectly Clear proves that is is possible to improve most images by just pressing the Auto button. And I see that Photolemur has at least partially borrowed some of the functionality that editors like that have. For instance, there is now an automatic face enhancement feature that smooths out blemishes and imperfections as well as functionality like foliage enhancement (make greens greener basically) and dehaze (reducing the effect of overly bright sunlight). Yes, Photolemur does all these things too, the only problem is that it does not do them as well as other photo editing software.

    A portrait processed in Photolemur 2

    There are a few positives though: this is probably the easiest photo editing software in the world and it seems to work quite well on portraits. But that’s about it…

    I don’t like to be so negative but on the other hand, I’ve spent money on software I’ll never use, and I believe it could have been much better.

    Photolemur 2 review

    Conclusion

    Easy and quickly enhancing photos might be the future, but it’s not here yet. I welcome some of the new features of Photolemur like RAW support, dehazing and face detection, but I honestly can’t see much difference between this and the beta version from 2016.

    What is worse for me is that it’s not a failsafe option in the sense that many of the images I’ve tried actually came out looking worse than better.

    Automatic image editing software like this should improve the majority of photos, even if this improvement is marginal.

    Photolemur 2 review

    Although the interface looks good and works well, I also find the ‘computing’ screen when loading an image too gimmicky. Here it comes, here it comes, and then…. bummer.

    Photolemur 2 has now switched to a yearly subscription model, costing around 25$ yearly I believe. This is to allow them to further develop the software and it’s necessary too. For me, I’m out. I’ll maybe take a look when version 3 arrives.

  • perfectly clear v3 review

    perfectly clear v3 review

     perfectly clear v3 review (updated for 3.5)

    Introduction

    Since my Perfectly Clear v2 review, parent company Athentech has been busy totally rewriting this plug-in and adding new features. This all accumulated in Perfectly Clear v3,5 now available for immediate download.

    If you’re unclear to what Perfectly clear actually does (pun intended), it’s an intelligent image processor that can basically make any image look better with just a few clicks of a button. I mainly like the beautification features for portraiture, but it’s also quite usable for gentle landscape enhancement and can enhance basically any image you run through it. It’s available in a stand-alone version and as a plug-in from either Lightroom or Photoshop.

    perfectly clear v3 review

    I won’t go through all the features again, I’ll only be looking at the new modules in this post. If you’d like to read more, you can run through my older review of Perfectly Clear version 2 here.

    New features in Perfectly Clear V3

    Perfectly Clear Version 3 includes some interesting new features for both portrait enhancing and landscape images. We”ll have a look at both here and see exactly what they do.

    New features for landscapes

    perfectly clear v3 menu

    Image Ambulance 

    This is one of the new preprocessing functions available alongside with corrective filter. Image abundance can be used to recover an over- or underexposed image like the kind you would use in a RAW editor.  You have up to five stops available, but it is best used moderately if you want to avoid artifacts.

    Sky Enhancer

    Similar to the HSL panel in Adobe Lightroom (Hue-Saturation-Luminance), this tab allows you to add saturation to a specific color channel.  Options include making the sky a more saturated blue and adding more yellows/reds like what you’d get during sunset or sunrise. There is, as always, a slider where you can turn up/down the effect.

    perfectly clear v3 review

    Foliage Enhancer

    Similar again to playing with the saturation of color channels, the Foliage enhancer can boost the greens or browns in your image.

    Color Vibrancy

    perfectly clear v3 menuAs opposed to saturation, where you increase the intensity of all colors, vibrancy only adds intensity for the muted colors in the image. It also prevents skin tones from becoming overly saturated and unnatural.

    Black Point

    Black Point might be a difficult concept to explain. This setting allows you to change the range of pixels for wich your exposure changes will apply.

    New features for portraiture

    perfectly clear v3 menu Manually add a face and adjust control points

    The auto face detection of Perfectly Clear version 2 didn’t always find the faces in your image. There are many possible reasons for this: the face could be too small, not enough contrast in your image or the angle of your shot. It is now possible to manually add faces, not unlike this feature in portrait pro. This is an excellent addition to the already quite capable auto face detection functionality and allows you to apply the beautification corrections to all faces in your photo.

    Light Diffusion and Color Fidelity

    Strength adjustment sliders have been added to both light diffusion and color fidelity.

    Lip Sharpening

    Lip sharpening was already included in earlier versions, but you now have full control over strength and either fine, medium, or coarse methods.

    Blush

    perfectly clear v3 menuIt looks like Perfectly Clear version 3 is the beginning of adding makeup controls. You can choose from 12 of the most popular blush colors in cosmetics, or create your own custom shade.

    Skin Toning

    There are now 5 new automatic modes to adjust skin tones.

    Skin Smoothing

    Skin smoothing is available for only the face or the entire body. Athentech has added 3 new modes for skin smoothing: subtle, default or super smooth.

    perfectly clear v3 review

    Click to Zoom

    Clicking on a face will now immediately zoom into that section of the image. This way, you can check the results of your beautifications.

    Perfectly Clear v3 Navigation

    perfectly clear v3 menu

    The new navigation is designed to give you more control and customization with a more professional looking interface. One of the best new features is the addition of a histogram, where you can check the technical impact of your adjustments including clipping point for highlights and shadows. Below that, you’ll find an overall strength slider that allows you to blend all your corrections with the original image.

    perfectly clear v3 menu

    The presets and full control corrections all fit on a single screen. The presets are on the top and all corrections on a right collapsable panel. It’s now also possible to import and export presets, and a fair number are available as a separate purchase.  You can also re-arrange presets by dragging and dropping and do neat things like choose your own icon for your custom presets. It’s also possible to rearrange the interface according to your workflow.

    Another new feature is a better Lightroom integration. In Perfectly Clear batch (export) mode, you can press sync to apply the enhancements of a previously edited photo to all selected photos.

    New features in Perfectly Clear V3,5

    One of the most interesting new features in Athentech Perfectly Clear 3.5 is that this is now also a Stand-Alone Application, besides off course still being available as a plug-in from photoshop or Adobe Lightroom too. Running Perfectly clear 3.5 as an application has some interesting benefits especially for any photographers out there who are considering dishing the monthly Adobe payments.

    RAW compatibility

    You can now like open almost any RAW file directly, cropping images and directly printing or exporting from the app itself. 

    The RAW capability also comes with a new RAW adjustment tab which allows you to modify exposure, do a degree o highlight recovery, add fill light, change the white balance and apply lens corrections.

    Kasachstan Eagles
    autumn preset
    • Exposure: allows you to djust the global exposure for a photo. You can add or subtract up to 3 stops of light from most raw files thanks to a proprietary built RAW engine.
    • Highlight Recovery. A very useful feature at times with for instance blown out skies that specifically attempts to recover lost details in the brightest areas of a photo.
    • Fill Light. This option is useful for filling in parts of an image that are lost to shadows.
    • White Balance. This preset menu lets you choose from useful presets that match closely those found in DSLR and mirrorless cameras.
      • Temperature. You can refine the color temperature for a shot manually to achieve a proper white balance. The slider is based upon degrees Kelvin.
      • Tint.  The Tint slider is used less often but is used to adjust the shot when gas or older fluorescent bulbs are used.  A scene may also have a lot of green, and this can help balance that.
    • Lens Correction. There are custom profiles available for many lenses that allow the raw development settings to be fine-tuned based upon the camera and lens used.  Most lens manufacturers now have open source profiles that Athentech uses here in this correction tab.

    After you’ve finished with your RAW edits, you can click the Sync Settings or Synchronize buttons to apply the adjustments to all open RAW photos.

    Filmstrip

    The latest Perfectly Clear version also features a Filmstrip on the left hand of the interface. This allows for easy navigation of both the main presets as well as the new looks, basically giving you a preview of the effect or enhancement that each preset would bring. Perfectly Clear 3.5 is by now a very mature system with streamlined code and all previews render very quickly, even with larger megapixel files. 

    Perfectly Clear film strip

    Visual Presets & LOOKs Preview

    Perfectly Clear 3.5 now offers a new way to see what your presets will look like without even having to apply them. You can now see both LOOKS and presets as thumbnail images.  It’s an easy way to get an idea of what the look or preset would do too your specific image.

    Perfectly Clear 3.5 review

    Perfectly Clear’s LOOK’s technology is powered by LUT. A LUT or lookup table remaps the color an image based on a color profile.  They’re great for film looks, black and white conversions, and creative color grading. Any movie that you’ve seen in the digital age has a type of color grading applied with a LUT. They are very powerful and I’m sure you’ll start to see examples of this everywhere once you start using them.

    Manual Finishing Controls

    Perfectly Clear 3.5 has added a new tab for  fine-tuning your images.  It’s possible to tweak the color and tone of your photo with precision, including advanced controls for Shadows and Highlights.  Giving your image a final pass through is what all the top photographers do and it’s nice to see this incorporated into the Perfectly Clear v 3.5 workflow

    Kazachstan Nomad games
    Double Dip LUT

    Graduated Filters

    It’s now also possible to adjust the sky and foreground independently using graduated digital ND filters. These filters are quite powerful and it’s of course possible to control the transition between the adjustments (even allowing a neutral zone).  You can easily move and rotate the graduated filter into precise position.

    Once placed you can target specific areas for editing. All of our finishing tools plus our targeted sky and foliage enhancers work with the new Graduated filter.  Boost the vibrancy of a blue sky, darken the foreground and enhance the foliage, all these things are easily achieved.

    Stylistic Vignette and Radial Filters

    These filters allow you to  make an elliptical selection and apply adjustments inside or outside the selection. It’s an easy way to make advanced and creative vignettes.

    Robust Color Restoration and color casts

    Perfectly Clear Version 3 already had two tools that made it easy to fix even your most challenging color shifts and color casts.  The new color restoration command gives more natural results than these with a now automated process that intelligently adjust the photos.

    Conclusion

    Athentech Perfectly Clear version 3,5 is a huge update from former versions with many new features and enhancements. Athentech make automated systems for the largest photo printing companies in the world and all this experience in enhancing and fixing images eventually triples down to their consumer products. What is interesting is that their workflow and processing chain is indeed unique to theirs. Perfectly Clear does not copy Adobe or Skylum, instead they have their own ideas when it comes to image processing and this very mature Perfectly Clear 3.5 certainly proves that.

    For landscape photographers, there is now a preprocessing module that allows you to add corrective or creative filters and restore under- or overexposed images. It’s also possible to enhance the sky and foliage to bring out more blues, greens and/or browns in your images. Other new features include a new color vibrancy module and the ability to set a custom black point for more natural exposure changes.

    This can all be done in a simple manner with strength sliders for fine tweaking (remember less is most often more with these things. Portrait photographers also have a few new features to look forward too. It’s now possible to manually add faces for the beautification modules if for some reason Perfectly Clear could not detect them.

    The lip sharpening features have been expanded to include manually selectable subtle, default and coarse methods and there is now also a new blush make-up control feature. Skin toning and smoothing tabs have also been expanded to include several modes of processing for finer control of the end result.

    perfectly clear v3 review

    Portrait photographers also have a few new features to look forward too. It’s now possible to manually add faces for the beautification modules if for some reason Perfectly Clear could not detect them. The lip sharpening features have been expanded to include manually selectable subtle, default and coarse methods and there is now also a new blush make-up control feature. Skin toning and smoothing tabs have also been expanded to include several modes of processing for finer control of the end result. Most of these separate modules now also have a strength slider to adjust the amount of effect according to your liking.

    perfectly clear v3 menu

    The interface and navigation system have also been completely overhauled. You now have more control over the layout so you can customize the different tabs and panels according to your liking. Besides the built-in presets from version 2, you can now also purchase new presets from well-known photographers and retouchers.

    perfectly clear v3 menu

    As I mentioned earlier, Perfectly Clear version 3.5is a major update and I’m sure that it’s worth upgrading for many users of previous versions. If you’ve never tried this software as an Adobe Lightroom/Photoshop plugin or standalone editor, I’m sure you’ll be surprised with the subtle and natural looking beautification features of Perfectly clear, as well as the automatic enhancements for just about any image.

    Perfectly Clear version 3.5 also brings a standalone edition that can read RAW and apply processing much like an application like Adobe camera RAW would do. If you’re planning on ditching Lightroom/Photoshop and want to switch to a pay once, own forever system, you should look at Perfectly Clear.

    This latest update offers many other useful additions like a new filmstrip for easy navigation, undo/redo, a visual preset system, LUT integration, graduated/radial filters and further enhancements to the color restoration/tint removal system.

    Purchase and availability

    Athentech is now owned by a company called  EyeQ who are still selling Perfectly Clear here.

     

     

     

  • Sony DSC-HX400V settings, tips and tricks

    Sony DSC-HX400V settings, tips and tricks

    Introduction

    This is an advanced manual for the SONY HX400V with tips and tricks. I’ll be going through the entire menu system with you and explain you exactly what is what, giving you tips on how to setup your camera along the way. The Sony H400V has little in common with the older HX300, so you’ll see lots of differences in the menu if you come from that camera. Although the basic features did not change (a 1 2/3 BSI CMOS sensor with 20 million pixels and  a 50x zoom ranging from 24-1200 mm), several defects have been corrected  like a more powerful new Bionz X processor, slightly redesigned optical formula, Wi-Fi and NFC, a new user interface like the Sony RX100 and an accessory hot shoe.

    Sony DSC-HX400V settings, tips and tricks

    This new menu system might look confusing at first, but you’ll quickly get the hang of it if you spend some time reading this Sony HX400V guide. The Sony manual does offer insights on this, but to be honest, it does not give you a page by page explanation as I do. So sit back, read carefully and get ready to learn. If there is a feature that you don’t want to tweak or learn, just skip it and move to the next chapter.

    Diving into the MENU system

    When you switch on your camera, you’ll be asked to enter a date, time and timezone. This setting is necessary, as all images captured will have a timestamp, making it easy to find your favorite pictures in the future.
    After this is setup, press the MENU button. You’ll see a range of icons and pages.
    We’ll start at page 1 of the camera Icon (camera settings)

    (MENU → Camera Settings → page 1)

    Menu camera icon page 1

    Image size:

    The larger the image size, the more detail will be reproduced when the image is saved. The smaller the image size, the more images can be recorded. Much depend upon the intended use for your images, but if you can spare the extra expense of a larger SD card, I would recommend you to set the image size to large.

    Knowing the size in pixels at different aspect ratios and quality levels can tell you how large you can print. An A3 print is 3508 pixels x 4961 pixels, so you can comfortably print your images on an A3 paper if you set the Image size to Large. Setting image size to medium would correspond to your image filling on a full-screen 4Kmonitor.

    The of your image in pixels when Aspect Ratio is 3:2:

    • L: 18M 5184×3456 pixels
    • M: 8.9M 3648×2432 pixels
    • S:: 4.5M 2592×1728 pixels

    The size of your image in pixels when Aspect Ratio is 4:3: (RECOMMENDED):

    • L: 20M 5184×3888 pixels
    • M: 10M 3648×2736 pixels
    • S: 5.0M 2592×1944 pixels
    • VGA 640×480 pixels

    The size of your image in pixels when Aspect Ratio is 16:9:

    • L: 115M 5184×2920 pixels
    • M: 7.5M 3648×2056 pixels
    • S: 2.1M 1920×1080 pixels

    The size of your image in pixels when Aspect Ratio is 1:1:

    • L: 15M 3888×3888 pixels
    • M: 7.5M 2736×2736 pixels
    • S: 3.7M 1920×1920 pixels
    Aspect Ratio

    You can choose 4:3 (which uses the full sensor surface), 3:2, 1:1 or 16:9 (crop but a more broad view). Unless you are not interested in editing your images later, leave as is at 4:3, you can always crop in a photo editor. Remember that if you decide to use a different aspect ratio, what is cropped out will not be saved.

    Quality:

    The HX400V is not capable of storing RAW images. RAW basically means that all the information captured by the camera’s sensor is saved unprocessed.

    Instead, this camera saves it as a JPEG file. This Jpeg will have gone through all your settings like added sharpness, noise reduction, white balance, etc as well as being compressed to a certain degree.
    You have two compression options available: FINE (larger) and STANDARD (smaller, less quality) which takes up less space on your SD card but is less suited for editing afterward.

    I always recommend setting Quality to Fine. When you’re investing in a good camera like this, you don’t want to miss out on the fantastic detail in can produce.

    Panorama size

    (Only available when in panorama shooting mode on the mode dial) Size is selectable between standard and wide. Wide means your picture will cover a larger area. Set it to standard, having to scan an even broader area when making panoramas will take some experience with the camera to do efficiently.

    Size is selectable between standard and wide. Wide means your picture will cover a larger area. Set it to standard, having to scan an even broader area when making panoramas will take some experience with the camera to do efficiently.

    Set it to standard, having to scan an even broader area when making panoramas will take some experience with the camera to do efficiently.

    Panorama direction

    A panorama picture is a composite of several images stitched together. When in this mode, you’ll see an arrow that guides you in what direction and speed you should pan the camera to take the sequential images that will be stitched together. You can choose the path in this menu (either, up, down, left or right).

    You can make panoramas while scanning your camera up-down or left-right.So what is this all about?  This might sound confusing at first, but this comes down to how you hold the Sony DSC-HX400V when shooting panoramas: either in portrait or landscape orientation.

    Sony DSC-HX400V

    (MENU → Camera Settings → page 2)

    Menu camera icon page 2

    File format (for movies)

    Selects the movie file format.

    • AVCHD: Records HD movies in AVCHD format. This file format is suitable for high-definition TV. Audio: Dolby Digital
    • MP4: Records mp4 (AVC) movies. This format is suitable for playback on smartphones or tablets, web uploads, email attachments, etc. Audio: AAC.
    Record setting (also a movie setting)

    You can choose the quality of recorded video here. You can change the image size, frame rate, and image quality for movie recording. The higher the bitrate, the higher the image quality. If you’re not familiar with this, leave as is.

    When File Format is set to AVCHD:

    • 60i/50i: Movies are recorded at approximately 60 fields/sec (for 1080 60i-compatible devices) or 50 fields/sec (for 1080 50i-compatible devices), in interlaced mode, with Dolby Digital audio, in AVCHD format.
    • 24p/25p: Movies are recorded at approximately 24 frames/sec (for 1080 60i-compatible devices) or 25 frames/sec (for 1080 50i-compatible devices), in progressive mode, with Dolby Digital audio, in AVCHD format.
    • 60p/50p: Movies are recorded at approximately 60 frames/sec (for 1080 60i-compatible devices) or 50 frames/sec (for 1080 50i-compatible devices), in progressive mode, with Dolby Digital audio, in AVCHD format.

    When  File Format is set to MP4:

    • Movies shot are recorded in MPEG-4 format, at approximately 60 frames/sec (for 1080 60icompatible devices), approximately 50 frames/sec (for 1080 50i-compatible devices), approximately 30 frames/sec (for 1080 60i-compatible devices) or approximately 25 frames/sec (for 1080 50i-compatible devices), in progressive mode, with AAC audio, MP4 format.

    Menu items details: Settings also depend on your isterion setting PAL/NTSC

    When File Format is set to AVCHD:

    • 60i/50i 24M(FX): 50i 24M(FX: Records high image quality movies of 1920 × 1080 (60i/50i). Bit-rate: Approx. 24 Mbps (Max.)
    • 60i/50i 17M(FH) (default setting)*: 50i 17M(FH) (default setting): Records standard image quality movies of 1920 × 1080 (60i/50i). Bit-rate: Approx. 17 Mbps (Avg.)
    • 60p/50p 28M(PS): Records the highest image quality movies of 1920 × 1080 (60p/50p). Bit-rate: Approx. 28 Mbps (Max.)
    • 50p 28M(PS): Records the highest image quality movies of 1920 × 1080 (60p/50p). Bit-rate: Approx. 28 Mbps (Max.)
    • 24p/25p 24M(FX): 25p 24M(FX)**: Records high image quality movies of 1920 × 1080 (24p/25p). This produces a cinema-like atmosphere. Bit-rate: Approx. 24 Mbps (Max.)
    • 24p/25p 17M(FH): 25p 17M(FH)**: Records standard image quality movies of 1920 × 1080 (24p/25p). This produces a cinema-like atmosphere. Bit-rate: Approx. 17 Mbps (Avg.)

    When File Format is set to MP4:

    • 1440×1080 12M (default setting): Records movies of 1440 × 1080. Bit-rate: Approx. 12 Mbps (Avg.)
    • VGA 3M: Records movies of VGA size. Bit-rate: Average 3 Mbps.

    General notes:

    • 60p/50p movies can be played back only on compatible devices.
    • Movies recorded with the [60p 28M(PS)]/[50p 28M(PS)]/[60i 24M(FX)]/[50i 24M(FX)]/ [24p 24M(FX)] /[25p 24M(FX)] setting in [ Record Setting] are converted by PlayMemories Home in order to create an AVCHD recording disc. This conversion can take a long time. Also, you cannot create a disc in the original image quality. If you want to keep the original image quality, store your movies on a Blu-ray Disc.
    • To play back60p/50p/24p/25p movies on a TV, the TV must be compatible with those formats. If the TV is not compatible with the 24p/25p format, 24p/25p movies will be output as 60i/50i movies.
    Drive Mode

    You can set the drive mode, such as continuous or self-timer shooting.

    • Single Shooting (default setting): Shoots one still image. Normal shooting mode.
    • Cont. Shooting: Shoots images continuously while you press and hold down the shutter button. Hi: takes about ten images per second, Lo about three.
    • Self-timer: Shoots an image after 10 or 2 seconds. (selectable in sub menu) You can change the angle of the LCD screen and shoot images while monitoring the image on the screen.
    • Self-Portrait: When the HX400V detects the number of faces you have selected, a beep will sound and the shooting starts after two seconds.
    • Self-timer(Cont): Shoots a specified number of images continuously after 10, 5 or seconds or 2 seconds (selectable in the sub menu).
    • Cont. Bracket: Shoots images while holding the shutter button down, each with different degrees of brightness. (3 images between .3 and 3 EV difference, selectable in the sub menu.) For processing as HDR on your PC.
    • WB bracket: Shoots a total of three images, each with a different color tone according to the selected settings for white balance, color temperature, and the color filter.  (3 images with either LO small changes or Hi large changes)
    Flash Mode
    Flash off;

    obvious

    Autoflash:

    The flash works in dark environments or when shooting towards a bright light.

    Fill-flash:

    The flash works every time you trigger the shutter.

    Slow sync:

    Tells the camera to use a longer shutter speed along with a flash, and thus is better for night shots. In manual and shutter priority modes, there is no difference in flash power. But when using aperture priority, program, or auto, choosing slow sync tells the camera to use a longer shutter speed than it would ordinarily pick.What the slow sync flash mode actual does is first fire the flash for the subject exposure, then allow for a longer shutter speed that will allow for more ambient light to be captured by the sensor.

    Advanced Flash:

    The flash automatically operates in dark locations or when there is backlighting. In dark locations, the upper limit value of the ISO sensitivity increases in order to maximize the flash range.

    Rear Sync:

    Capturing an image involves two shutter actions: one when the capture starts and on when it stops. Rear Sync tells the flash to fire right before the shutter closes. Moving objects will show a streak where they came from and a sharp image where they were at the end of the exposure. This conveys a sense of speed with moving objects. Rear Sync is a creative technique, if you’d like to know more about this type of photography, I’d suggest doing a Google search on ‘Rear Sync Flash Photography.’

    Wireless:

    When using a wireless flash, the shading effect provides a more 3D appearance to a subject than when using an attached flash. This mode is effective when you attach a remote control-compatible external flash sold separately to the camera, and shoot with a wireless flash, placed away from the product. If you’re looking for a suitable flash, you’ll need one that corresponds to the Sony MIS (multi-interface shoe). If you want to save some money, have a look at brands like Godox or Neewer.

    Sony DSC-HX400V

    Flash compensation:

    Adjusts the amount of flash light in a range of –2.0 EV to +2.0 EV. Flash compensation changes the amount of flash light only. Exposure compensation changes the amount of flash light along with the change of the shutter speed and aperture.

    Especially when using Slow Sync or Rear Sync Flash modes, you might have to lower the power of the Flash to get a decently exposed image.

    Red Eye Reduction:

    This anti-Red Eye setting quickly fires the flash before your image capture starts, reducing the red-eye effect often seen when using the flash.

    (MENU → Camera Settings → page 3)

    Menu camera icon page 3

    Focus area

    You might think it is best to leave it on the factory ‘wide’ setting (as this uses all AF points), but for certain scenes, it is often better to use a zone or flexible spot to get it to focus on what you want.

    Wide:

    Wide focus area uses all focus points on the sensor. Ideal for action scenes where there is a lot of movement going on in your frame.

    Center:

    Focusses on whatever is centered in your images. A fail-proof way of getting the camera to focus on what you want. If you have any problems using the autofocus and are in a situation where you don’t want to miss any shots, revert to Center and just make sure you have your subject centered.

    Flexible spot:

    Flexible spot area selects a spot anywhere on the screen where the camera should focus. (similar to Center spot, except not.. in the center)  You can set it to small, medium or large. If you want to use this focus area, set it to medium or large, as the camera will struggle to find focus when set to small (except perhaps for close-up portraits where you’d want to focus on the iris of the eye)

    Focus Lock:

    Shoots images with the focus locked on the desired subject in auto focus mode.

    1. Set the zoom/focus switch to AF/ZOOM.
    2. Place the subject within the AF area and press the shutter button halfway down. The focus is locked.
    3. Keep pressing the shutter button halfway down, and place the subject back in the original position to re-compose the shot.
    4. Press the shutter button down fully to take the picture.
    AF Illuminator:

    The AF illuminator is a little red light allowing the camera to focus more easily when the shutter button is pressed halfway. It automatically is switched off when you fully press the shutter. Leave it on.

    Exposure Comp

    If you find that your image is overexposed (for instance when you are shooting at large apertures for a shallow depth-of-field in bright daylight), you can tweak the exposure compensation here in a plus or minus 2 (exact EV dependent on next step) range.

    ISO

    You can select at which ISO value you’d like to capture your image or change the AutoISO range
    I have this range set between 80-800 as this range is virtually noise free, and I don’t like the ISO performance above 1600. When shooting in low light, you might think of using a higher top value (factory setting goes up to 3200).

    Tip: Autofocus will also work better at higher ISO.

    Metering Mode

    Metering mode refers to the way the camera reads the light and sets the exposure.
    In multi, it considers the whole frame and sets exposure according to internal algorithms programmed in camera.
    In spot or center, the camera only considers what is in that spot or the center (per example, if your subject is completely black, the camera will try to compensate by overexposing the image).

    If you like dark or moody portraits, try setting Metering Mode to Spot or Center, and make sure your subjects face is centrally positioned in the frame. You’ll see that the exposure will be more suitable for the face than when set to Multi.

    (MENU → Camera Settings → page 4)

    Menu camera icon page 4

    White Balance

    You can either:

    • Auto (default setting): The product automatically detects the light source and adjusts the color tones.
    • Daylight: The color tones are adjusted for the daylight. Shade: The color tones are adjusted for shadiness.
    • Cloudy: The color temperature is adjusted for a cloudy sky. Incandescent: The color temperature is adjusted for places under an incandescent lamp, or under bright lightings, such as in a photo studio.
    • Incandescent: The color temperature is adjusted for places under an incandescent lamp, or under bright lights, such as in a photo studio.
    • Fluor.: Cool White: The color temperature is adjusted for white fluorescent lighting.
    • Fluor.: Day White: The color temperature is adjusted for neutral white fluorescent lighting.
    • Fluor.: Daylight: The color temperature is adjusted for daylight fluorescent lighting.
    • Flash: The color temperature is adjusted for a flash.
    • C.Temp./Filter: Adjusts the color tones depending on the light source. Achieves the effect of CC (Color Compensation) filters for photography.
    • Custom: Uses the white balance setting saved in [Custom Setup].
    • Custom Setup: Memorizes the basic white color under the light conditions for the shooting environment.
    DRO/Auto HDR
    DRO:

    This stands for Dynamic range optimize and analyses the contrast of your scene in real-time. It produces an image with optimal brightness and recovered shadow detail. You can use this function even while the subject is moving or during the continuous shooting.

    • D-Range Optimizer: Auto (default setting): Corrects the brightness automatically.
    • D-Range Optimizer: Lv1 ― D-Range Optimizer: Lv5: Optimizes the gradation of a recorded image for each divided area. Select the optimization level from Lv1 (weak) to Lv5 (strong)
    Auto HDR:

    This feature Shoots three images with different exposures and then overlays the bright area of the underexposed image and the dark area of the over exposed image to create a picture with an extended range from highlight to shadow.
    The highlight detail in auto HDR is better than that in DRO and with reduced noise. The shutter is released three times, so using this function for moving subjects is not recommended.

    • Auto HDR: Exposure Diff. Auto (default setting): Corrects the exposure difference automatically. Auto HDR: Exposure Diff. 1.0EV ―
    • Auto HDR: Exposure Diff. 6.0EV: Sets the exposure difference, based on the contrast of the subject. Select the optimal level between 1.0 EV (weak) and 6.0 EV (strong). For example, if you set the exposure value to 2.0 EV, three images will be composed of the following exposure levels; −1.0 EV, optimal exposure, and +1.0 EV
    Creative Style

    This menu setting allows you to select the desired image processing. You can adjust exposure (shutter speed and aperture) as you like with [Creative Style], unlike with [Scene Selection] where the product adjusts the exposure.

    • Standard (default setting): For shooting various scenes with rich gradation and beautiful colors.
    • Vivid: The saturation and contrast are heightened for shooting striking images of colorful scenes and subjects such as flowers, spring greenery, blue sky, or ocean views.
    • Portrait: For shooting the skin color in a soft tone, ideally suited for shooting portraits.
    • Landscape: The saturation, contrast, and sharpness are heightened for shooting vivid and crisp scenery. Distant landscapes also stand out more.
    • Sunset: For shooting the beautiful red of the setting sun.
    • Black & White: For shooting images in black and white monotone.
    • Sepia: For shooting images in sepia monotone.

    Contrast, Saturation, and Sharpness can be adjusted for each Creative Style item. Select an item to be set by pressing the right/left side of the control wheel, then set the value using the top/bottom side of the control wheel.

    • Contrast: The higher the value selected, the more the difference of light and shadow is accentuated, and the bigger the effect on the image.
    • Saturation: The higher the value selected, the more vivid the color. When a lower value is selected, the color of the image is restrained and subdued.
    • Sharpness: Adjusts the sharpness. The higher the value selected, the more the contours are accentuated, and the lower the value selected, the more the contours are softened.
    Picture Effect

    Think of this menu as an Instagram app right in your camera, with all kinds of retro filters and effects. These are only available when quality is set to Jpeg (Not in RAW). You can perform detailed settings for some of the effects by using the left/right side of the control wheel.

    • Off (default setting): Disables the Picture Effect function.
    • Toy Camera: Creates a soft image with shaded corners and reduced sharpness.
    • Pop Color: Creates a vivid look by emphasizing color tones.
    • Posterization: Creates a high contrast, abstract look by heavily emphasizing primary colors, or in black and white.
    • Retro Photo: Creates the look of an aged photo with sepia color tones and faded contrast.
    • Soft High-key: Creates an image with the indicated atmosphere: bright, transparent, ethereal, tender, soft.
    • Partial Color: Creates an image which retains a specific color, but converts others to black and white.
    • High Contrast Mono.: Creates a high-contrast image in black and white.
    • Soft Focus: Creates an image filled with a soft lighting effect.
    • HDR Painting: Creates the look of a painting, enhancing the colors and details.
    • Rich-tone Mono.: Creates an image in black and white with rich gradation and reproduction of details.
    • Miniature: Creates an image which enhances the subject vividly, with the background defocused considerably. This effect may often be found in pictures of miniature models.
    • Watercolor: Creates an image with ink bleed and blurring effects as if painted using watercolors.
    • Illustration: Creates an illustration-like image by emphasizing the outlines.
    Focus Magnifier

    Another quite handy feature if you want to check if your image is in focus. It means that you can check the focus by enlarging the image before shooting. Great for shooting in manual focus or DMF. You can also set how long the magnified image will be shown in the Focus Magnif. Time setting. (custom settings).

    Press on the center of the control wheel to enlarge the image and select the position you want to enlarge using up/down/left/right side of the control wheel. You can change the magnifier scaling in two steps by pressing in the center, and close the focus magnifier mode and return to the normal shooting display by pressing three times

    You can change the magnifier scaling in two steps by pressing in the center, and close the focus magnifier mode and return to the normal shooting display by pressing three times.

    (MENU → Camera Settings → page 5)

    Menu camera icon page 5

    If you’ve stumbled on my guide trying to find where to turn on Long Exposure noise reduction, I’ll have to disappoint you. Although one on the most requested features, the DSC-HQ90V does not have this functionality.

    High ISO NR

    Here you can select the amount of noise reduction applied to images with high ISO settings (when quality is set to jpeg). As Sony has rather aggressive noise reduction, I would chance it to Low. (if not, you run the risk of getting paint-like, smeared images at higher ISO values)

    Lock-on AF

    This is a very powerful autofocus feature. When turned ON, it allows you to track a subject. In the iAuto mode, you can access this feature (when turned ON and the camera is set to AF) by pressing the Center button of the multi-controller. You’ll see a square on your screen, then center your desired tracking subject and the camera will continue to track it, even when it exits your frame and reappears.

    Smile/Face Detect

    This is another powerful feature. It can be set to automatically detect on focus on faces and enable a function called Smile Shutter. When the latter is enabled, the camera will automatically capture an image when a smile is detected. Did I hear you say Selfie? Yes, it’s the ultimate selfie tool.

    Sony DSC-HX400V
    Soft skin effect

    Sets the effect used for shooting the skin smoothly in the Face Detection function. I don’t like the results, so on my camera, it is turned off.

    Auto Object Framing

    When enabled, the Sony HX400V will automatically crop your captured image to what it deems best. Meaning it will cut the picture for a nicer composition. A nice feature if you don’t want to bother too much with the technical side of photography.

    Scene Selection

    Allows you to shoot with preset settings according to the scene.

    HX400V mode dial

    1. Set the mode dial to SCN (Scene Selection).
    2. MENU → (Camera Settings) → [Scene Selection SCN] → desired mode. When [Mode Dial Guide] is set to [On], you can select the desired settings after you have changed the position of the mode dial.

    These presets are available:

    • Portrait: Blurs background and sharpens the subject. Accentuates the skin tones softly.
    • Adv.Sports Shooting: Allows you to shoot subjects with fast movements, such as sports. While the shutter is pressed halfway, the movement of the subject is predicted and the focus will be adjusted.
    • Landscape: Shoots the entire range of a scenery in sharp focus with vivid colors.
    • Night Scene: Shoots night scenes without losing the dark atmosphere.
    • Hand-held Twilight: Shoots night scenes with less noise and blur without using a tripod. A burst of shots are taken, and image processing is applied to reduce subject blur, camera shake, and noise.
    • Night Portrait: Shoots night scene portraits using the flash.
    • Anti Motion Blur: Allows you to shoot indoor shots without using the flash and reduces subject blur. The product shoots burst images and combines them to create the image, reducing subject blur and noise.
    • Pet: Allows you to shoot images of your pet with the best settings.
    • Gourmet: Allows you to shoot food arrangements in delicious and bright colors.
    • Beach: Allows you to shoot scenes on the beach in bright and vivid colors even under the sunlight.
    • Snow: Allows you to shoot clear images, preventing sunken colors in snowy scenes or other places where the whole screen appears white.
    • Fireworks: Allows you to shoot images of fireworks in all their splendor.
    • Soft Skin: Allows you to shoot images of faces with a smoother look.
    • High Sensitivity: Allows you to shoot still images even in dark locations without using the flash, and reduces subject blur. Also allows you to shoot dark movie scenes more brightly.

    (MENU → Camera Settings → page 6)

    Menu camera icon page 6

    Movie

    You can adjust the shutter speed or aperture value to your desired settings for recording movies. You can also check the image angle before shooting.

    • Program Auto: Allows you to shoot with the exposure adjusted automatically (both the shutter speed and the aperture value).
    • Aperture Priority: Allows you to shoot after adjusting the aperture value manually.
    • Shutter Priority: Allows you to shoot after adjusting the shutter speed manually.
    • Manual Exposure: Allows you to shoot after adjusting the exposure (both the shutter speed and the aperture value) manually
    SteadyShot (for movies)

    Sets SteadyShot when shooting movies.

    Here you have three options:

    • Intelligent Active: Provides the most powerful SteadyShot effect. I set it to this.
    • Active (default setting): Provides a more powerful SteadyShot effect.
    • Standard: Reduces camera shake under stable movie shooting condition.
    Auto slow shut. (also a movie setting)

    Sets whether or not to adjust the shutter speed automatically when recording movies if the subject is dark. Less light always means a longer shutter time in order to get a correct exposure. As when shooting stills, you might get some blur when you use this feature.

    On: The shutter speed automatically slows when recording in dark locations. You can reduce noise in the movie by using a slow shutter speed when recording in the dark.

    Off: The recorded movie will be darker than when On is selected, but you can record movies with smoother motion and less object blur.

    Micref Level

    You can select the microphone level for movie recording to Normal (for dialogue) or Low (for concerts etc).

    Wind noise reduct.

    Sets whether or not to reduce wind noise during movie recording.

    Shooting tip list

    This setting basically turns the on-screen shooting tips on or off. If you’re not fully comfortable with the camera, this is an excellent tool in order to get acquainted with all the functions and settings. Once it starts getting on your nerves, it means you know enough to turn it off :).

    (MENU → Camera Settings → page 7)

    Menu camera icon page 7

    Memory

    Allows you to register up to 3 often-used modes or product settings in the product. You can recall the settings using just the mode dial.

    Items that can be registered:

    • Shooting mode
    • Aperture (F number)
    • Shutter speed
    • Camera Settings
    • Optical zoom scale

    To recall registered settings: Set the mode dial to MR, then press the right/left side of the control wheel or turn the control wheel to select the desired memory number.

    To change registered settings: Change the setting to the desired one and re-register the setting to the same mode number

    (MENU → Custom settings (wheel) → page 1)

    Menu Wheel icon page 1

    MF assist

    This works in conjunction with the Focus Magnifier on Page 5 of the camera settings. You might remember that you can select the area to magnify there when using manual focus (MF). MF assist will need to be turned on if you want to use this feature.

    Focus Magnif Time

    You can set how long to hold the magnified area during MF assist. 2 sec, 5 seconds or no limit.

    Two seconds is how I have it set up.

    Grid Line

    Having a grid line on your screen is a helpful aide for the composition of your image.
    The human brain is hard-wired to recognize the structure, and most people find a well-composed image more eye-pleasing.
    During photography history, rules have been developed on how to compose the different elements best within a scene. Many landscapes you’ll see have the horizon run through the middle of the image for instance, but this is just composition in its simplest form. Many photographers with a thorough understanding of these techniques go far beyond that.
    A good starting point is using the in-camera grid to make your brain aware of the possibilities in composition.
    The Rules of 3rds, Square and Diag +square are available in the Sony HX400V.

    Auto Review

    Select the amount of time the camera displays your image directly after capturing the image. 10, 5 and 2 sec is available, or you can turn this feature OFF if it annoys you.

    Peaking Level
    • Peaking Level is a manual focusing aid that works when you have your camera set to MF or DMF.
    • You’ll see a type of noise outlining the parts of your image where the focus lies; you can adjust the sensitivity to high, mid or low.
    • Which setting is best depends on what lens you use, as with a sharper lens it can be configured to low, while more soft lenses benefit from a medium or high setting to clearly visualize what you’re focusing on.
    Peaking Color

    You can choose the color of this Peaking between Red, white and yellow. I have it set to red, as this contrasts nicely with most scenes you capture.

    MENU – Custom Settings – page 2

    Menu Wheel icon page 2

    Exposure set guide

    Sets the guide displayed when exposure settings are changed in the shooting screen.  Excellent tool when you’re getting to know the functionality of your new camera. If you’re familiar with Sony’s feature, turn it OFF.

    Zoom setting

    Set to Optical zoom only, using the optical zoom capabilities of your lens. If you set this to digital zoom, the camera will be basically cropping pixels out.

    Finder/Monitor

    Sets the method for switching the display between Electronic Viewfinder and the screen.

    • Auto (default setting): When you look into the Electronic Viewfinder, the display is switched to the Electronic Viewfinder automatically.
    • Viewfinder: Switch between the Electronic Viewfinder display and the screen display by pushing up/down the pop-up finder. When the Electronic Viewfinder is pushed down, the image is displayed only on the screen. When the Electronic Viewfinder is pushed up, the screen is turned off and the image is displayed only in the Electronic Viewfinder.
    Write Date

    Sets whether to record a shooting date on the still image. Remember that you won’t be able to delete the date stamp on your image if it is turned On.

    Function menu set

    You can assign the functions to be called up when you press the Fn (Function) button.

    Custom keys setting

    Assigning functions to the various keys allows you to speed up operations by pressing the appropriate key when the shooting information screen is displayed.

    MENU – Custom Settings – page 3

    Menu Wheel icon page 3 (custom settings)

    Movie button

    Sets whether or not to activate the MOVIE button.

    • Always (default setting): Starts movie recording when you press the MOVIE button in any mode.
    • Movie Mode Only: Starts movie recording when you press the MOVIE button only if the shooting mode is set to Movie mode.
    MENU – Wireless functionality – page 1

    Wireless functionality - page 1

    Send To Smartphone
    • You can send one or several images directly to your wireless device (phone or tablet) by pressing this button.
    • You can either decide to choose which images you want to transfer on the camera or on the wireless device (via the Sony PlayMemories app, available for free in the apple or android store).
    • You’ll have to connect the camera via Wifi first (it makes a Wifi access point), using the instruction on the Sony DSC-HX400V screen.
    • It works just like connecting to any other access point with your phone or tablet.
    • You should do this as quickly as possible, just to get it out of the way.
    • When your phone has wirelessly connected to the camera once, and you’ve entered the password, it will remember this, and make it a lot faster to connect later.
    Send to Computer

    You’ll need to physically connect the computer to the camera using the supplied USB cable, and you can push selected pictures to your Sony PlayMemories desktop software (installed from the CD or downloaded from their website). This can even be set up to continue pushing images after the camera has turned off.

    View On TV

    If you have a Wifi-enabled TV, you can view images and slideshows directly from your camera through your home wireless network.

    One Touch NFC

    Enables Quick, one-touch connection (as opposed to first accessing the camera’s wireless network and then navigating to the Playmemories app) with NFC (near-field communication) capable devices.

    I have not tried this (as my iPhone does not have NFC) but it looks a lot easier to use.

    Airplane Mode

    Disables all wireless functionality, just like airplane mode does on your phone.

    WPS Push

    If your access point has the WPS button, you can register the access point to the camera easily by pushing the WPS button.

    MENU – Wireless functionality – page 2

    Wireless functionality - page 2

    Access Point Set

    Here you can setup an access point for your camera to the internet.

    It enables the Sony DSC-HX400V to install PlayMemories apps from the internet directly. Works just like setting an access point (WiFi connection) on your phone.

    Edit Device name

    If you wish, you can change the name of the Device Access point perhaps to make it easier to identify which A6000 is yours in certain situations.

    Disp MAC. address

    Displays the MAC address of your Sony DSC-HX400V.

    SSID/PW reset

    The Sony DSC-HX400V shares the connection information for Send to Smartphone and Smart Remote Embedded with a device that has permission to connect. If you want to change the device that is permitted to connect, reset the connection information.

    Reset Network set

    Resets all the network settings to default settings.

    MENU – Playmemories settings- page 1

    playmemories menu

    Application List

    You’ll find The Smart remote control camera app (wich allows you to use your phone as a remote control via PlayMemories phone app for iPhone and Android) and the Playmemories Camera app here.

    You can access your online PlayMemories account here, or create an account (once you’ve set up your camera connection with your Wifi network).

    playmemories apps

    You’ll also be able to download new apps available for purchase in the Sony Playmemories online app store like the Time-lapse and smooth reflection app.

    If you do not want to connect your camera to the internet, you can always install new apps (and updates) if you connect the camera to your Mac or PC with the supplied USB cable, using the Sony PlayMemories desktop application.

    Introduction

    You’ll find information about the service and available countries and regions here.

    MENU – playback options – page 1

    Menu Playback icon page 1

    Delete

    Delete on or multiple images stored on your SD card.

    View Mode

    select how the camera will arrange captured images in the viewing browser.

    Image Index

    Select whether you want the image browser to display 12 (larger) or 30 (smaller) images per page.

     Sony DSC-HX400V
    Slide Show

    Select whether you want the camera to repeat slideshows when all pictures are viewed or not, and choose the interval between slides.

    Rotate

    Change the orientation of images in-camera.

    Enlarge Image

    Select an image and enlarge a portion of that image. Useful for checking details and focus.

    MENU – playback options – page 2

    Menu Playback icon page 2

    4K Still Image PB

    Outputs still images in 4K resolution to an HDMI-connected TV that supports 4K.

    Protect

    Protect images (selectable or per date) from accidentally being erased.

    Motion Interval ADJ

    Change the interval of the image tracking of the subject’s motion in high-speed, like a stroboscopic image.

    Specify Printing

    Specify Printing is a feature that allows images to be marked for printing later. Registered images are displayed with the DPOF mark. (DPOF stands for Digital Print Order Format)

    MENU – Setup – page 1

    (briefcase) general options - page 1

    Monitor Brightness

    Manually set the Monitor brightness (recommended leave to zero) or change to a brighter setting for Sunny Weather.

    Volume settings

    Change the playback volume for recorded video or demos.

    Audio Signals

    You can turn off audio signals like the beep when te camera achieves focus. Useful if you want a more stealthy operation (although you’ll still hear the second curtain shutter).

    GPS signals

    You can record the location information with the images when the built-in GPS sensor of this product can acquire the location information. Using the software PlayMemories Home, you can import the images recorded with the location information to a computer and enjoy viewing them on a map which shows their shooting location. Refer to the Help of PlayMemories Home for details.

    • On: The GPS function is activated.
    • Off: The GPS function is turned off. The status icon on the screen may differ depending on the conditions of the signals emitted from the satellites.
    • No icon is displayed: GPS is set to Off or an error has occurred.
    MENU – Setup – page 2

    (briefcase) general options - page 2

    Title Menu

    choose between tiles or a tiled front page when accessing the MENU or a direct tab style menu layout.

    Mode Dial Guide

    You can display the description of a shooting mode when you turn the mode dial and change the settings available for that shooting mode. Handy when you are learning how to use the Sony DSC-HX400V.

    Delete confirm

    You can set whether Delete or Cancel is selected as the default setting on the delete confirmation screen.

    Display Quality

    You can change the display quality. Set to standard to preserve battery life.

    • High: Displays in high quality.
    • Standard: Displays in standard quality.
    Pwr Save Start time

    Selects the time it takes for the camera to go into sleep mode if you don’t use it.

    Demo Mode

    Demo mode is only used in retail stores for demonstration purposes.

    MENU – Setup – page 3

    (briefcase) general options - page 3

    HDMI Resolution

    When you connect the product to a High Definition (HD) TV with HDMI terminals using an HDMI cable (sold separately), you can select HDMI Resolution to output images to the TV.

    • Auto (default setting): The product automatically recognizes an HD TV and sets the output resolution.
    • 1080p: Outputs signals in HD picture quality (1080p).
    • 1080i: Outputs signals in HD picture quality (1080i).CTRL for HDMI.
    CTRL for HDMI

    When connecting this product to a BRAVIA compatible TV using an HDMI cable, you can operate this product by aiming the TV remote control at the TV.

    Either ON or OFF.

    USB connection

    Selects what will happen when you connect your camera to your PC or MAC.

    • Auto (default setting): Establishes a Mass Storage or MTP connection automatically, depending on the computer or other USB devices to be connected. Windows 7 or Windows 8 computers are connected in MTP, and their unique functions are enabled for use.
    • Mass Storage: Establishes a Mass Storage connection between this product, a computer, and other USB devices.
    • MTP: Establishes an MTP connection between this product, a computer, and other USB devices. Windows 7 or Windows 8 computers are connected in MTP, and their unique functions are enabled for use.
    USB LUN Setting

    Improves compatibility with external devices by limiting the functions of the USB connection.
    Older devices that are not able to connect to the camera might work when set to single. Otherwise, use Multi.

    USB power supply

    You can charge theSony DSC-HX400V via USB. This setting sets whether to supply power via the micro USB cable when the product is connected to a computer or an USB device.

    MENU – Setup – page 4

    (briefcase) general options - page 4

    Language

    Set your preferred language. The advantage of setting it to Eglish is that you’ll find much more information online when you need any troubleshooting.

    Date Time Setup

    Change date, time, date format and Daylight savings time.

    Area setting

    Select your region, or change region when abroad, the camera will automatically change time and date for you.

    MENU – Setup – page 5

    (briefcase) general options - page 5

    Format

    Format your SD card before use; this will erase any images still on the memory card.

    File Number

    Number your files according to a number of shots or reset it to start from 1.

    Select REC folder

    Selects where the camera will store newly captured images.

    New Folder

    Make a new folder for easily organizing events and locations

    Folder name

    Choose whether to have folder names in standard form (DSC) or create a new one by date. Setting folders by date will make organizing your images easier.

    Recover Image DB

    If you have a storage card error, you can try to rebuild the database to possibly retrieve lost images.

    MENU – Setup – page 6

    (briefcase) general options - page 6

    Display media info

    Displays the recordable time of movies and the number of recordable still images for the inserted memory card.

    Version

    Check what version of the operating system your camera and lens are running. Sony sporadically releases updates with new features, so it might be worth checking if any new firmware versions are available.

     Setting Reset

    Fully resets the camera to factory settings.

    In the next chapter, I’ll go over all the functionality that I find most useful

    Mode dial functions: what’s the difference between intelligent and superior auto?

    Intelligent Auto

    • This mode lets the camera detect what kind of scene you are photographing. It switches to the scene setting it finds most appropriate, including aperture, shutter speed, ISO, and AF mode.
    • These different scene settings are the same you’ll find manually selectable in SCN mode.
    • All Sony cameras do a good job at detecting scenes, although the advanced photographer will prefer to shoot in Aperture, Shutter priority or fully manual mode in order to have more control over things like depth-of-field, movement, and focusing area.

    Superior Auto

    • Does the same scene recognition and (when the camera decides it is appropriate) adds hand-held twilight, anti-motion blur, and backlight correction HDR in order to optimize dynamic range, movement and exposure.
    • It uses multiple images shot in close succession at high quality and combines them into one jpeg. Works well on stills but should not be used for movement.

    Peaking

    Peaking enhances the outline of in-focus ranges using a specific color in Manual Focus or Direct Manual Focus shooting.

    • This works in MF and DMF focusing modes
    • MENU → (Custom Settings) → [Peaking Level] → desired setting.
    • It displays a color selectable noise in the regions where the focus is on.
    • A low setting is recommended in enough light on the Sony DSC-HX400V.
    • In dim light, you might need to go to medium to get a good idea of where the focus is at.

    Lock-on AF

    Depending on the options selected in [Focus Area] or [Center Lock-on AF], the available functions varies when pressing the key. Found in the Focus Area setting. When you press the key when the [Focus Area] is set to [Wide] or [Center] and [Center Lock-on AF] is [On], [Center Lock-on AF] will activate. The camera will automatically focus while pressing the key when the [Focus Area] is [Wide] or [Center], [Focus Mode] is set to other than [Manual Focus], and [Center Lock on AF] is set to [Off].

    • When you press the center button, the camera detects the subject positioned in the center of the screen and continues to track the subject.
    • MENU → (Camera Settings) → [Lock-on AF] → [On]
    • Align the target frame (A) over the subject and press in the center of the control wheel. Press again to stop tracking.
    • If the camera loses track of the subject, it can detect when the subject reappears on the monitor and resume tracking.
    • Press the shutter button fully down to shoot the image.

    Smile/face detect

    When set to On, The Sony DSC-HX400V will automatically detect and focus on faces. This is a very powerful feature.

    Go to MENU → (Camera Settings) → [Smile/Face Detect.] and select either:

    1. On : Automatically selects a face to be brought into focus.
    2. Smile shutter: Automatically detects and shoots a smile. When the Smile/Face Detect. is set to Smile Shutter, you can select the Smile Detection Sensitivity from Slight Smile, Normal Smile or Big Smile.

    Sony DSC-HX400V

    Conclusion

    Although the Sony DSC-HX400V compact camera is deemed an enthusiast oriented or ‘beginner’ camera, you’ll find that it has many of the advanced features of the Sony RX and even ILC line. An advanced manual like this can help you make the most of it, and make you a better photographer. If you’re just starting out in photography, I would suggest taking a look at the SCN or Scene selections that give you a good starting point for any type of activity or subject you’d like to shoot.

    There are many hidden features and functions like this inside the Sony HQ400V, and I would suggest taking some time to learn some of them. I know that and advanced guide like this looks daunting at first, but you’ll soon get the hang of it by easily following along with your camera’s menu system.

  • Saal Digital photo book review

    Saal Digital photo book review

    Saal Digital photo book review

    Introduction

    Saal Digital is a European photo printing service. They offer high-quality print services for photo books, wall decors, greeting cards, calendars, booklets and fine art prints. Saal Digital have an easy payment system that includes Payal. As you probably know, most printing services will include their own logo somewhere on the print, but you don’t have to worry about your clients tracking your suppliers with this company. 

    Saal Digital photo book review

    The Saal Digital production is centralized in Germany (Saal Digital Fotoservice GmbH)  and then expedited throughout with a quick turnaround of 1-2 business days. They have a local store in about every European country, and it’s the Saal Digital Netherlands storefront that offered my a chance to try one of their books for review.

    How Saal Digital works

    Making your own book is quite straightforward with Saal Digital. They have a software design suite for both Mac and Windows with many templates depending on what you want to achieve as an end product. I started with a blank layout and designed it myself as I had a beautiful black and white series of predators and prey in South Africa that I wanted to try. You can just drag and drop photos onto the application and start experimenting with your layout.

    Saal Digital photo book review

    There are many options for different types of covers, matte or glossy paper and of course a selectable number of pages. You get warnings when you’re in danger of noticeable photo borders in your book, and if your images are of sufficient quality. It’s all quite easy and intuitive.

    Once your photo book layout is too your liking, you can simply add your design to the shopping cart, pay and send it to their production facility through the software.

    Saal Digital photo book review

    Conclusion

    We’ve all had dealings with photo book printing companies where the results are not what you imagined they would be. Fuzzy prints, color shifts and issues with the layout are all very common problems with photo printing services. But Saal Digital surprised me in the positive sense and I’m very happy with the print quality and service. I believe that a company that actually works in the field of photography and photographic processing will always be better at understand what other photographers want. And this is the case here too. 

    With easy software to make your designs, flexible payment options and a fast turnaround wth delivery by DHL, you should definitely look into Saal-digital for your next wedding book or fine art print.

     

  • Meikon underwater housing for Sony cameras review

    Meikon underwater housing for Sony cameras review

    Meikon underwater housing for Sony cameras review

    Introduction

    Meikon in a Chinese camera accessory producer specialized in underwater housings and accessories. They are also an OEM manufacturer for many other brands, so you’ll see these exact same housings pop up under different names. The ones I could find are Neewer, Andoer, Camdive and Eachshot. This underwater housing for digital cameras can go down to depths of 40 meters or 130 feet and features an inbuilt leak detection sensor and a SYNC cord connector for underwater flashguns.

    Meikon underwater housing top view

    This underwater housing for digital cameras can go down to depths of 40 meters or 130 feet and features an inbuilt leak detection sensor and a SYNC cord connector for underwater flashguns. It’s also extremely buoyant (floats upwards) and comes with a wrist strap, shoulder strap, spare O’ring and lens cover cap.

    Meikon underwater housing front view

    I’ll be reviewing the Meikon underwater housing for the Sony A7m2 here, but all Meikon underwater housing are made to the same specs, so you can expect similar performance from the Meikon housings designed for other cameras. One caveat is that this version only works with the Sony FE 28-70mm f/3.5-5.6. Unlike the Nauticam housings, the Meikons are relatively cheap retailing for under 300 dollars.

    Meikon underwater housing port

    Construction

    This underwater housing from Meikon is made from Polycarbonate and ABS plastic. The port window is made from clear plate glass and all internal mechanics are cast in stainless steel. The EPDM rubber water seals ensure that no water can leak in through the numerous buttons and dials. The O’ring (the part that seals the top enclosure) is also made from rubber and uses a spring loaded mechanism to protect your camera properly.

    Meikon underwater housing trigger

    Installing your camera

    It’s a good idea to check if the seals and construction are up to standard when you first receive the unit. Just close it, fill up a bath or bucket and submerge the case without the camera for 10 minutes. Then check if any water has leaked in.

    Before installing your camera in the Meikon housing, you should check if the O-ring (the rubber ring that seals the lid) is in good condition and well lubricated. Meikon supply an extra O-ring and a small tube of lubricant inside the box.

    If you’re in a hot or humid climate, it is best to do this installation in a cool or air-conditioned area. An air-conditioned car works perfectly. This is to ensure that the least possible amount of humidity will be trapped inside the case. If you forget to do this, you could well have the glass port window fog up once you hit the water. It’s also a good idea to buy some anti-fog inserts and install one inside the body to soak up any humidity left inside.

    Meikon underwater housing leak detector

    You have to go into the menu and disable the viewfinder and permanently have the image come up on the screen if you expect to see anything. You cannot use the eyepiece as the case does not allow it, and the casing itself would otherwise trigger the EVF continuously.

    It is not possible to change the lens’s focal length once inside the housing, so set this beforehand. For underwater photography, the general rule is the wider the better, so set the Sony FE 28-70mm f/3.5-5.6 to 28mm. Also don’t forget to remove the lens cap and sun hood for obvious reasons.

    Meikon underwater housing back buttons

    Insert your camera into the housing with the port window facing down. Check if all the dials and switches are lined up. If everything looks good, securely close the back plate and close the case with the spring loaded mechanism.

    In use

    I used the Meikon underwater housing for an underwater shoot in a Cenote in Mexico, but also extensively tested it in pools and in the ocean down to 10 meter depth. The case always performed admirably and I was very pleased with the images I shot.  This Meikon casing is inexpensive and fits perfectly. No issues using buttons expect the Mode dial that doesn’t work with the A7rm2. Meikon is aware of this, and it’s due to the fact that this case was actually built for the Sony A7II, since it is identical in design on paper, they assumed that it would also work on the A7rm2, but the mode dial seems to be placed slightly off center.

    Meikon underwater housing dial mechanism

    The click wheel on top used to engage the shutter requires a little extra pressure but you get used to this. The leak detection sensor feature also works well (although I didn’t have any leaks). You can test it by just touching it with your finger. You’ll hear a loud buzzing sound and the detector LED will light up.

    Meikon underwater housing leak detector

    Changing batteries is of course not easy with a casing like this, you’ll need to get it out of the case to do so, so use the camera sparingly underwater.

    Conclusion

    The Meikon underwater housing for Sony cameras performs well, especially for the price. All the controls performed flawlessly (except the Mode dial with the ARM2 only) and I did not experience any leaks. In addition to the case, the box contains a neck strap, wrist strap, cleaning cloth, and a small tube of o-ring grease. The leak detection system uses a coin cell battery which is shrink wrapped to the circuit board.

    Meikon underwater housing with Sony A7rm2

    Hence the battery is probably not very easy to replace, but the system does seem to work as long as the case is upright (I tested with a drop of water near the sensor). I did not experience any of the problems with stuck buttons that some of the older Meikon cases are known for.

    underwater bridal shoot

    Overall a good buy and one I would recommend as a good budget option.

     

     

     

     

     

  • Flashpoint R2 Li-on TTL On-Camera Flash Speedlight

    Flashpoint R2 Li-on TTL On-Camera Flash Speedlight

    Flashpoint R2 Li-on TTL On-Camera Flash Speedlight

    Introduction

    Flashpoint is the in-house brand of one of the biggest US camera retail stores called Adorama. These flashes are actually sourced from Chinese manufacturer Flashpointand basically rebranded by Adorama under the name Flashpoint.  Since virtually every electronic device is now produced in China, there is nothing wrong with that, as long as you get value for money and a decent support desk should anything go wrong.

    FlashpointR2 TTL On-Camera Flash product shot side

    I’ll be looking at the Flashpoint R2 TTL On-Camera Flash (or mark 2) for Sony MIS (Multi Interface Shoe) in this post. You’ll find this exact flash under different brand names like Neewer and Godox in various parts of the world.

    FlashpointR2 TTL On-Camera Flash carrying pouch
    The box comes with a high quality carrying pouch

    There is much to like here on paper. This is a powerful flash with a high guide number (GN) of 60, offers High-speed sync up to 1/8000th of a second, TTL (through the lens metering), a powerful built-in 2.4G ultra-long-distance wireless remote system for transmitting and receiving and to top it all off comes with a 2000mAh rechargeable Li-ion Battery that provides 650 Full Power Flashes with a Recycle time that is less than 1.5s.

    FlashpointR2 TTL On-Camera Flash product shot back

    Build

    The Flashpoint R2 TTL On-Camera Flash is roughly the same size and weight as top Sony speed lights like the HVL-F60M. This isn’t a light flash, but there is no difference in weight when compared to ‘brand’ flashes costing four times as much. The build quality also looks equal to those top brands. Not a big surprise really as they are probably made in the same factories, or at least with the same quality control mechanisms. The buttons, switch, and wheel also feel quite feel durable.

    FlashpointR2 TTL On-Camera Flash product shot left side

    The foot is made of plastic and locks securely in the Sony MIS. I would complain about the plastic hot shoe, but I’ve had a Nissin, and Sony flash shoe break on me too It’s always better to break a flash foot (they are cheaper on often self-replaceable) than break the camera’s metal hot shoe itself.

    Battery

    I am used to flashes with AA batteries and these last for around 200-250 flashes. Recycle times do get longer too when they drain, so there is much to be said for a flash that comes with a powerful 2000mAh rechargeable Li-ion Battery. The manual states that you can get around 650 flashes with one fully charged battery and this is also what you can expect when using it in real life. Replacement batteries are also available at a reasonable price if you think 650 pops wouldn’t suffice for you. These are by the way the same as the Flashpointor Flashpoint replacement batteries.

    FlashpointR2 TTL On-Camera Flash battery

    One thing you won’t find on the Flashpoint R2 TTL On-Camera Flash is a port for external battery packs, but with a spare battery in your pocket, it’s not that difficult to switch them over during a full day of shooting.

    The lithium-ion battery gives you a very fast recycle speed of 1.5 seconds at maximum power, with AA’s you’d be getting recycle speeds of around two seconds, and that is when they are at full power. Excellent performance!

    Neewer R2 TTL On-Camera Flash image sample TTL HSS back illumination

    Power output

    Having compared the R2 TTL On-Camera Flash output to the Sony HVLF-60M at the same camera and flash settings, I can tell you that there is no difference in power output. It looks as though this cheap flash for Sony Mis performs just as well as a flash that cost three times as much.

    Usability

    This Flashpoint is a fully functional HSS and TTL flash. This allows for much creative freedom.

    Neewer R2 TTL On-Camera Flash image sample TTL HSS capadocia

    TTL or ‘through the lens metering’ means that the camera will decide what flash output is needed, taking into account your aperture and shutter speed. This works very well, just as good as you’d get with a Sony branded flash, so again no difference here.  This is an ideal system for wedding or event photography, where you don’t have the time to set everything manually, and want to get a decent exposure quickly. The metering process does involve a pre-flash to meter the effect that the flash has on the scene you are shooting. So don’t panic if you notice this, it’s not a synchronisation issue, it’s just the way TTL works.

    Neewer R2 TTL On-Camera Flash image sample TTL HSS off camera tips

    HSS or high-speed sync’ is another very useful feature. This allows the flash to sync to very high shutter speeds up to 1/8000 second. Say you’re shooting portraits on a bright afternoon and you want to stay at a large aperture with the use of flash, this is possible with HSS. If your flash is strong enough, you’ll even be able to overpower the sun using this system. I have decoupled exposure and flash compensation on my Sony A7rm2, meaning I can slightly underexpose to let the flash shine in certain situations. This means you can shoot an outdoors portrait like you would in a studio environment, eliminating all background distractions with a high contrast image as a result.

    Neewer R2 TTL On-Camera Flash image sample TTL HSS close-up

    The powerful built-in 2.4G ultra-long-distance wireless remote system allows you to either use the Neewer R2 TTL On-Camera Flash as a controller for other off-camera flashes or for it to be controlled by a wireless transmitter like the Flashpoint or Godox X-1 or FT-16S. Yes, these particular OEM flashes are all interchangeable (at least the ones I have tested) and can be wirelessly controlled by each other. The only thing you need to make sure is that they all comply with the 2.4Ghz system, most of the time clearly marked in the literature. Who knew life could be so easy? Even better, the 2.4Ghz wireless system is very reliable even up to 100 meters, and I haven’t had any hiccups yet.

    Neewer R2 TTL On-Camera Flash image sample TTL HSS mars landscape

    Available Flash modes are TTL,M,Multi,FEC,Master,Slave, S1,S2. For TTL, you set it to the appropriate mode and fire away. With that neat little decoupling of flash and exposure compensation, I see no need ever to use manual. If you want to use it as a Master controller, the screen will turn from green to red when you scroll through the modes.

    Compatibility

    I’m testing the Sony MIS version here, but there is also a Canon and Nikon version available. Rumour has it that there might be a Fujifilm version coming in 2017 too. Even better, all these versions can be used together (though of course not on the respective shoe) for off-camera flash triggering with full control over all functionality including HSS and TTL metering.

    Neewer R2 TTL On-Camera Flash image sample TTL HSS off camera

    Summary

    There is much to like in the Flashpoint R2 TTL On-Camera Flash. Let’s start with the high capacity rechargeable battery with a short 1.5 second recycle time for no less than around 600 flashes. Extra battery packs can be bought quite cheaply for around 40 Euro-30 dollars. The backlit interface is also quite clear and concise, although it could take a few times to wrap your head around what is where exactly. The build is quite decent and up to par with brand flashes costing a multitude of what this one costs. The only thing I am not crazy about here is the quality of the flash foot itself. But as I stated earlier, it’s better to break your cheaper flash foot than the shoe on your camera.

     

    Neewer R2 TTL On-Camera Flash flash and batteryAll functionality you could ask for in a modern flash is here. TTL metering for Sony cameras, high-speed sync up to 1/8000 sec and a powerful 2.4 GHz wireless system that allow the R2 TTL On-Camera Flash be used as either a transmitter to control off camera flashes or a receiver.  The best part is that it is compatible with these flashes under the other OEM brand names like Flashpoint or Godox.

     

  • Godox V860II hot shoe flash review

    Godox V860II hot shoe flash review

    Godox V860II hot shoe flash review

    Introduction

    Godox is a Chinese camera accessory maker based in Hong Kong. Their factories mostly make flashes for other brands, but they also have an in-house brand under the name Godox. Since virtually every electronic device is now produced in China, there is nothing wrong with that, as long as you get value for money and a decent support desk should anything go wrong.

    Godox V860II product shot side

    I’ll be looking at the Godox V860II (or mark 2) for Sony MIS (Multi Interface Shoe) in this post. You’ll find this exact flash under different brand names like Neexer and Flashpoint in various parts of the world.

    Godox V860II carrying pouch
    The box comes with a high quality carrying pouch

    There is much to like here on paper. This is a powerful flash with a high guide number (GN) of 60, offers High-speed sync up to 1/8000th of a second, TTL (through the lens metering), a powerful built-in 2.4G ultra-long-distance wireless remote system for transmitting and receiving and to top it all off comes with a 2000mAh rechargeable Li-ion Battery that provides 650 Full Power Flashes with a Recycle time that is less than 1.5s.

    Godox V860II product shot back

    Build

    The Godox V860II is roughly the same size and weight as top Sony speed lights like the HVL-F60M. This isn’t a light flash, but there is no difference in weight when compared to ‘brand’ flashes costing four times as much. The build quality also looks equal to those top brands. Not a big surprise really as they are probably made in the same factories, or at least with the same quality control mechanisms. The buttons, switch, and wheel also feel quite feel durable.

    Godox V860II product shot left side

    The foot is made of plastic and locks securely in the Sony MIS. I would complain about the plastic hot shoe, but I’ve had a Nissin, and Sony flash shoe break on me too It’s always better to break a flash foot (they are cheaper on often self-replaceable) than break the camera’s metal hot shoe itself.

    Battery

    I am used to flashes with AA batteries and these last for around 200-250 flashes. Recycle times do get longer too when they drain, so there is much to be said for a flash that comes with a powerful 2000mAh rechargeable Li-ion Battery. The manual states that you can get around 650 flashes with one fully charged battery and this is also what you can expect when using it in real life. Replacement batteries are also available at a reasonable price if you think 650 pops wouldn’t suffice for you. These are by the way the same as the Godox or Flashpoint replacement batteries.

    Godox V860II battery

    One thing you won’t find on the Neewer V860II is a port for external battery packs, but with a spare battery in your pocket, it’s not that difficult to switch them over during a full day of shooting.

    The lithium-ion battery gives you a very fast recycle speed of 1.5 seconds at maximum power, with AA’s you’d be getting recycle speeds of around two seconds, and that is when they are at full power. Excellent performance!

    Neewer V860II image sample TTL HSS back illumination

    Power output

    Having compared the V860II output to the Sony HVLF-60M at the same camera and flash settings, I can tell you that there is no difference in power output. It looks as though this cheap flash for Sony Mis performs just as well as a flash that cost three times as much.

    Usability

    This Neewer is a fully functional HSS and TTL flash. This allows for much creative freedom.

    Neewer V860II image sample TTL HSS capadocia

    TTL or ‘through the lens metering’ means that the camera will decide what flash output is needed, taking into account your aperture and shutter speed. This works very well, just as good as you’d get with a Sony branded flash, so again no difference here.  This is an ideal system for wedding or event photography, where you don’t have the time to set everything manually, and want to get a decent exposure quickly. The metering process does involve a pre-flash to meter the effect that the flash has on the scene you are shooting. So don’t panic if you notice this, it’s not a synchronisation issue, it’s just the way TTL works.

    Neewer V860II image sample TTL HSS off camera tips

    HSS or high-speed sync’ is another very useful feature. This allows the flash to sync to very high shutter speeds up to 1/8000 second. Say you’re shooting portraits on a bright afternoon and you want to stay at a large aperture with the use of flash, this is possible with HSS. If your flash is strong enough, you’ll even be able to overpower the sun using this system. I have decoupled exposure and flash compensation on my Sony A7rm2, meaning I can slightly underexpose to let the flash shine in certain situations. This means you can shoot an outdoors portrait like you would in a studio environment, eliminating all background distractions with a high contrast image as a result.

    Neewer V860II image sample TTL HSS close-up

    The powerful built-in 2.4G ultra-long-distance wireless remote system allows you to either use the Neewer V860II as a controller for other off-camera flashes or for it to be controlled by a wireless transmitter like the Godox X-1 or FT-16S. Yes, these particular OEM flashes are all interchangeable (at least the ones I have tested) and can be wirelessly controlled by each other. The only thing you need to make sure is that they all comply with the 2.4Ghz system, most of the time clearly marked in the literature. Who knew life could be so easy? Even better, the 2.4Ghz wireless system is very reliable even up to 100 meters, and I haven’t had any hiccups yet.

    Neewer V860II image sample TTL HSS mars landscape

    Available Flash modes are TTL,M,Multi,FEC,Master,Slave, S1,S2. For TTL, you set it to the appropriate mode and fire away. With that neat little decoupling of flash and exposure compensation, I see no need ever to use manual. If you want to use it as a Master controller, the screen will turn from green to red when you scroll through the modes.

    Compatibility

    I’m testing the Sony MIS version here, but there is also a Canon and Nikon version available. Rumour has it that there might be a Fujifilm version coming in 2017 too. Even better, all these versions can be used together (though of course not on the respective shoe) for off-camera flash triggering with full control over all functionality including HSS and TTL metering.

    Neewer V860II image sample TTL HSS off camera

    Summary

    There is much to like in the Neewer V860II. Let’s start with the high capacity rechargeable battery with a short 1.5 second recycle time for no less than around 600 flashes. Extra battery packs can be bought quite cheaply for around 40 Euro-30 dollars. The backlit interface is also quite clear and concise, although it could take a few times to wrap your head around what is where exactly. The build is quite decent and up to par with brand flashes costing a multitude of what this one costs. The only thing I am not crazy about here is the quality of the flash foot itself. But as I stated earlier, it’s better to break your cheaper flash foot than the shoe on your camera.

     

    Neewer V860II flash and batteryAll functionality you could ask for in a modern flash is here. TTL metering for Sony cameras, high-speed sync up to 1/8000 sec and a powerful 2.4 GHz wireless system that allow the V860II be used as either a transmitter to control off camera flashes or a receiver.  The best part is that it is compatible with these flashes under the other OEM brand names like Flashpoint or Neewer.